罗伯特·阿普（Robert Arp），阿姆斯特丹自由大学哲学博士（2009），多伦多大学英语语言文学硕士（2002），获剑桥大学英语语言教育资格证（2002），西蒙弗雷泽大学哲学及英语语言文学荣誉学士（2001）。编有《南方公园与哲学》（South Park and Philosophy），《蝙蝠侠与哲学》（Batman and Philosophy），《艾布拉姆斯哲学》（The Philosophy of J.J. Abram）（《碟中谍.3》导演）等一系列文学作品。 亚当·巴克曼（Adam Barkman），加拿大耶稣基督学院哲学副教授，韩国知名理工大学延世大学哲学教授。著有《C·S·路易斯与作为一种生活方式的哲学》（C. S. Lewis and Philosophy as a Way of Life, 2009年）和《透过常见事物》（Thro...(展开全部)

柯玮妮（Whitney Crothers Dilley），美国西雅图华盛顿大学博士（1998），现任台北世新大学英语系副教授。与陈鹏翔合编《华人文学中的女性主义/女性气质》（Feminism/ Feminity in Chinese Literature, 2002）。曾以华语女性文学编辑身份获列入知名的「世界名人录」 ( Marquis Who's Who in the World )。 2009年08月《纽约时报》专文〈追逐社会的藏龙〉（Chasing Society's Hidden Dragons）中，受访谈论李安的作品。

Born in Taiwan, Ang Lee is one of cinema's most versatile directors whose ability to traverse cultural, national, and sexual boundaries has gained him worldwide recognition. His astonishingly diverse résumé shows him tackling culture clashes and globalization ( Eat Drink Man Woman, 1993), period drama ( Sense and Sensibility, 1995), blockbusters ( Hulk, 2003), and gay romance...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

Taiwanese born, Ang Lee (b. 1954) has produced diverse films in his award-winning body of work. Sometimes working in the West, sometimes in the East, he creates films that defy easy categorization and continue to amaze audiences worldwide. Lee has won an Academy Award two times for Best Director―the first Asian to win―for films as different as a small drama about gay cowboys in...(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

At fifty, Pippa Lee seems just fine. The devoted wife of a brilliant publisher thirty years her senior, the proud mother of successful twins, and a lovely and adored friend and neighbour, she seems to glow with feminine serenity. But when her husband spontaneously decides they should cast off Gramercy Park for Marigold Village retirement home, as a "preemptive strike against hi...(展开全部)